A few examples of appraisal values for
EVENING LIGHT

• Allen Tucker (American, 1866-1939) Early
  Allen Tucker (American, 1866-1939) Early Evening Light, Catskill Mountain, 1924 oil on canvas signed Allen Tucker and dated (lower center) 24 x 20 inches.
• DAVID CHAPPLE (B. 1947): EVENING LIGHTDavid
  DAVID CHAPPLE (B. 1947): EVENING LIGHTDavid Chapple, California, B. 1947 Evening Light, oil on board signed lower right, titled to verso oil on board Dimensions: 14 x 11 in. (35.6 x 27.9 cm.), Frame: 17 5/8 x 14 5/8 in. (44.8 x 37.1 cm.) Condition:
• JOHN CHARLES TERELAK, OIL ON BOARD LANDSCAPEJohn
  JOHN CHARLES TERELAK, OIL ON BOARD LANDSCAPEJohn Charles Terelak (American b. 1942) , oil on board landscape, signed and dated '79 in lower left, titled on verso Evening Light , 13 3/4" x 17 3/4". Condition: Good condition. No apparent damages or repairs.
• JAMES HAMILTON (1819-1878) OIL MOUNTAIN
  JAMES HAMILTON (1819-1878) OIL MOUNTAIN LANDSCAPEJames Hamilton (Pennsylvania, 1819-1878) Untitled (Evening Mountain View) Oil on canvas 24" x 36" A mountain panorama in evening light, signed to the bottom left. Presented in a gilt cassetta-style frame that measures 27 1/2" x 40". James Hamilton was called the "American Turner" for his similar stylistic sensibilities to renowned English Romantic painter JMW Turner. During his time in Philadelphia, James Hamilton notably taught the legendary American landscape painter Thomas Moran. Condition Good condition, noting some craquelure to the paint layer. There are a several areas of thin paint layer at the edges of the canvas just inside the frame sight. No notable issues observed under blacklight.
• STEVE BURGESS (1960-), SUNDOWNER Title:
  STEVE BURGESS (1960-), SUNDOWNER Title: Steve Burgess (1960-), Sundowner Medium: oil on board Dimensions: 20 x 30 Frame dimensions: 24 7/8 x 35 x 1 3/4 Notes: “Whilst on my way back to my safari lodge in the Masai Mara after a hot day out in the Talek river area, I was looking forward to a long, cool drink, or ‘Sundowner’ when I came across this lioness enjoying her own Sundowner! I immediately knew the the low, warm, evening light on the lioness would make a lovely scene for a painting and the title of the painting obviously chose itself!” — Steve Burgess
• EUROPEAN SCHOOL, OIL ON CANVAS, VILLAGEEuropean
  EUROPEAN SCHOOL, OIL ON CANVAS, VILLAGEEuropean School, village in the evening light, oil on canvas, unsigned, early 19th century. Measuring, 16.5" x 21.5".
• MARK GELLER ACRYLIC WESTERN LANDSCAPE
  MARK GELLER ACRYLIC WESTERN LANDSCAPE PAINTING, AUTUMN ...Mark Geller (American/California, b. 1947) acrylic on canvas western landscape painting titled "Autumn Leaves" depicting a Native American encampment with two teepees and a hide drying on the left side, a creek running through the center, and two figures standing near a fire with meat drying on the right side, the whole surrounded by trees with autumn foliage in evening light. Signed "Geller" lower right. Additionally signed and titled with medium to label en verso of stretcher. Housed in a grey wormy-wood frame with a linen liner and gilt filet. Sight: 23 1/2" H x 29 1//2" W. Framed: 32 3/4" H x 38 1/2" W. Note: The original purchase receipt from California Art Gallery, Laguna Beach, CA., dating from 1998 is available to the winning bidder. Condition: Overall excellent condition.
• JAN MARTIN MCGUIRE (AMERICAN B. 1955)
  JAN MARTIN MCGUIRE (AMERICAN B. 1955) A PAINTING, "VULT...JAN MARTIN MCGUIRE (American b. 1955) A PAINTING, "Vulturine Guineafowl," chroma/acrylic on masonite, signed L/R, "Jan Martin McGuire," 9" x 12", framed, 15 1/4" x 18 1/4". Note: Vulturine Guineafowl by log in evening light. With certificate of original authenticity from Jan Martin McGuire's Fox Hollow Studio. Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• HERB BOOTH (AMERICAN/TEXAS 1942-2014)
  HERB BOOTH (AMERICAN/TEXAS 1942-2014) A PAINTING, "EVEN...HERB BOOTH (American/Texas 1942-2014) A PAINTING, "Evening Light," LATE 20TH CENTURY, watercolor on paper, signed L/R, "Herb Booth ©," verso gallery label; 21 1/4'' x 29'', framed 31 1/2" x 39 1/4''. Provenance: Meredith Long & Company, Houston, Texas Condition: There are no visible signs of damage. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• ROBERT E.BUCHANAN, FOREST IN EVENING,
  ROBERT E.BUCHANAN, FOREST IN EVENING, O/BA forest path in evening light. Signed LR. Bright gold leafed frame. 11.5"H x 8.75 framed 17.75 x 15 (QKHAY)(JP) Condition: no loss, cracquelure; gold leaf chips/loss to frame
• TUTWILER, David, (American, 1952): ''Low
  TUTWILER, David, (American, 1952): ''Low Tide - Evening Light, Little River, Gloucester'', Oil/Board, 8'' x 10'', signed lower right, titled verso, framed 12'' x 14''.
• Ken Howard (1932-2022)/Venice, Evening
  Ken Howard (1932-2022)/Venice, Evening Light/signed/oil on canvas, 25.5cm x 30.5cm
• Morris Graves (1910-2001 Washington)
  Morris Graves (1910-2001 Washington) ''Evening Light'' 1993 Lithograph in Colors 26''x44.5'' Image. An impressive large still life composition with his signature mystic glowing flowers. Pencil signed and numbered 32 of 120 edition lower margin. Gallery framing 35''x53''. Excellent condition with strong colors.
• BRIAN WILLIAMS (AMERICA/JAPAN, B. 1950),
  BRIAN WILLIAMS (AMERICA/JAPAN, B. 1950), “EVENING LIGHT”., LITHOGRAPH, 8.5” X 20” SIGHT. FRAMED 15” X 27.5”.BRIAN WILLIAMS, America/Japan, b. 1950, "Evening Light". Numbered 40/100 lower left, titled lower center, and signed and dated "‘87" lower right. Dimensions: Lithograph, 8.5" x 20" sight. Framed 15" x 27.5".
• FRANS SWAGERS (DUTCH/FRENCH, 1756-1836),
  FRANS SWAGERS (DUTCH/FRENCH, 1756-1836), TWO BUCOLIC LANDSCAPES WITH FIGURES Oil on canvas (lined), both paintings depicting figures in a pastoral landscape with evening light, the coastal scene with signature to lower left; each presented in uniform later ornate gilt frames with gallery plaque to front.
• CHARLES MUENCH, (B. 1966), "EVENING
  CHARLES MUENCH, (B. 1966), "EVENING LIGHT - EATON CANYON", OIL ON CANVAS, 20" H X 24" WCharles Muench, (b. 1966) "Evening Light - Eaton Canyon" Oil on canvas Signed lower right: Charles Muench; signed again and numbered verso: 0957; titled from gallery invoice 20" H x 24" W Provenance: Galerie Gabrie, Pasadena, CA The Estate of George David Sturges, acquired from the above, 2011 Oil on canvas Dimensions: 20" H x 24" W Provenance: Galerie Gabrie, Pasadena, CA The Estate of George David Sturges, acquired from the above, 2011
• ROBERT BATEMAN FOUR OFFSET LITHOGRAPHSROBERT
  ROBERT BATEMAN FOUR OFFSET LITHOGRAPHSROBERT BATEMAN (Canada, born 1930) four offset lithographs: "Arctic Cliff - White Wolves," edition 7223/13,000, image measures 19.5" x 32.5"; "High Kingdom - Snow Leopard," edition 1984/10,772, image measures 20.5" x 28.5"; "End of Season - Grizzly," edition 877/7249, image measures 23.75" x 31.5"; Evening Light - Elk," edition 47/950, image measures 19" x 32.5". Each pencil signed and unframed.
• STEPHEN LYMAN (IDAHO/CALIFORNIA, 1957-1996)
  STEPHEN LYMAN (IDAHO/CALIFORNIA, 1957-1996) OFFSET LITHOGRAPHSTEPHEN LYMAN (Idaho/California, 1957-1996) offset lithograph, "Evening Light," pencil signed lower right, edition number 761/2500, image measures 14.5" x 38", unframed, in original folio.
• LEE SIMPSON (NEW MEXICO, BORN 1923)
  LEE SIMPSON (NEW MEXICO, BORN 1923) OIL ON CANVAS,LEE SIMPSON (New Mexico, born 1923) oil on canvas, "Evening Light, Taos Mtn." Signed lower right, signed again and titled verso, dated 1978. Image measures 40" x 44.5". In a thin wood frame.
• ANDREW WARDEN (BRITISH B. 1949), EVENING
  ANDREW WARDEN (BRITISH B. 1949), EVENING LIGHT, SERIGRAPH IN COLOR, 43/485, FRAMED, 16-1/4 X 19-3/4 INCHESAndrew Warden (British b. 1949), Evening Light, Serigraph in Color, 43/485, Framed, 16-1/4 x 19-3/4 inches
• TWO LIGHTHOUSE THEMED ETCHINGS BY YNGVE
  TWO LIGHTHOUSE THEMED ETCHINGS BY YNGVE EDWARD SODERBERG (AMERICAN 1896 - 1971), BOTH ED. 85 AND PENCIL SIGNED, "EVENING LIGHT" AND...Two lighthouse themed etchings by Yngve Edward Soderberg (American 1896 - 1971), both ed. 85 and pencil signed, "Evening Light" and "Passing Latimer" both framed and matted behind glass, wear consistent with age, ss: 9" h. x 12" w. each.
• TOM KENNETH ENMAN (1928 - 2012): EVENING
  TOM KENNETH ENMAN (1928 - 2012): EVENING LIGHTTom Kenneth Enman (1928 - 2012): Evening Light, oil on canvas; 1978; signed and dated lower right, signed and dated again and titled verso Dimensions: Sight: 11 3/8 x 15 3/8 in. (28.9 x 39.1 cm.), Frame: 17 1/8 x 21 in. (43.5 x 53.3 cm.) Condition:
• CARL SPRINGER "SNOWY EVENING LANDSCAPE"
  CARL SPRINGER "SNOWY EVENING LANDSCAPE" O/C Carl Springer (American 1874-1935), "Snowy Evening Landscape" oil on canvas depicting buildings after a snowstorm with blue evening light, signed to lower right, framed. Approximate measurements: canvas h. 26. 25", w. 30. 125"; frame h. 36. 25", w. 41. 25", d. 4".
• JOHN A. RICCIARDI "EVENING LIGHT IN
  JOHN A. RICCIARDI "EVENING LIGHT IN COTUIT" OILJohn Ricciardi has painted the Cape Cod landscape for many years, and his works are found in many private collections nationally and abroad. Ricciardi paints in an expressive style; he wants to leave something for the viewers to fill in for themselves. Dimensions: Unframed 16" x 20"
• DAVID STIRLING (COLORADO/IOWA, 1887-1971),
  DAVID STIRLING (COLORADO/IOWA, 1887-1971), "EVENING LIGHT ESTES PARK 1943"., OIL ON BOARD, 23.25" X 35.75". FRAMED 27" X 39".DAVID STIRLING, Colorado/Iowa, 1887-1971, "Evening Light Estes Park 1943". Signed lower right "Stirling". Titled verso. Dimensions: Oil on board, 23.25" x 35.75". Framed 27" x 39".
• DAVID BALLEW (AMERICAN, B. 1955), COTTONWOODS
  DAVID BALLEW (AMERICAN, B. 1955), COTTONWOODS IN EVENING LIGHT Oil on linen laid on Masonite, signed, inscribed and dated 1998 to verso, framed.
• DESMOND HEELEY. "DRAGON FLIES," GOUACHE
  DESMOND HEELEY. "DRAGON FLIES," GOUACHE (British, 1931-2016). Gouache on colored paper, set design for "Sleeping Beauty" pencil titled "Dragon Flies, Evening Light-Fire Flies" signed and dated "Heeley '07" lr, sheet size: 9 7/8 x 14 1/4 in., framed.
• JOSEPH FRANCIS PLASKETT R.C.A. TABLE
  JOSEPH FRANCIS PLASKETT R.C.A. TABLE WITH EVENING LIGHT 1994 Medium: oil on canvas signed 20" (height) 50cm (height) 26" (width) 65cm (width)
• ROSS M. MERRILL (American 1943-2010).
  ROSS M. MERRILL (American 1943-2010). EVENING LIGHT signed lower right and also signed and titled verso. Oil on board - Framed 12 in. x 16 in.
• STEPHEN LYMAN COLOR LITHOGRAPH (American
  STEPHEN LYMAN COLOR LITHOGRAPH (American 1957-1996) titled ''Evening Light'' 18'' by 41''. Signed in ink Stephen Lyman 1218/2500 lower right. Unframed in original folio.
• Augustus Spencer painting (British 1860-1924),
  Augustus Spencer painting (British 1860-1924), landscape with marsh at dusk, titled verso on stretcher "Evening Lights", signed lower right "A. Spencer", oil on canvas, 16 x 20 in.; painted wood and composition frame.
• GEORGE GARDNER SYMONS (american 1863-1930)
  GEORGE GARDNER SYMONS (american 1863-1930) "THE FURTHER HILLS SEEN THROUGH A VEIL OF EVENING LIGHT" Signed 'Gardner Symons' bottom left, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Edwin C. Shaw, Akron, Ohio. The Estates of James A. & Dorothy C. Vaughn, Sea Island, Georgia. note: A photocopy of a letter from the artist will accompany this lot. It reads: "119 East 19th St New York My Dear Ms. Dunbar- I was spending a week with my friend and fellow partner Ben Foster at his home in West Cornwall, Conn. He had been urging me for some time to see his place in winter and said "I want to take you to a spot about ten minutes walk from the house where you can get a view of the further hills" and so "The further Hills Seen Through a veil of evening light" was painted. It is one of my best things and I believe the people who now own it will grow very fond of the painting for the motive has a real appeal- With kindest regards, Sincerely yours Gardner Symons Oct 26th 1917" ,000-15,000 Oil on canvas. No restoration to note. Small, isolated areas of paint cleavage, some with pinpoint losses of paint.
• Frantisek Cech (Continental, 20th Century)
  Frantisek Cech (Continental, 20th Century) "Evening Light Over the Lake", oil on canvas, 9-1/4" x 12-1/2", signed lower right "F. Cech, indistinctly inscribed on canvas verso. Presented in a giltwood frame now mounted on a sheet of plexiglass.